Back in 2011 How to Train Your Dragon was cruelly robbed at the Academy Awards of the animation Oscar by the wonderfully sweet but gimmick-laden Toy Story 3, and Hollywood animation has yet to recover from it. (Actually Sylvain Chomet’s The Illusionist was better than the both of them, but that’s an argument for another time.) With sublime character design, rich humour and a character-driven plot most “grown-up” films should be envious of, Dragon become one of 2010’s biggest runaway hits following a rocky opening that generated sensational word-of-mouth.
Jump forward a few years, two seasons of the spin-off TV series and a number of stocking-filler direct-to-DVD shorts and the dragons of Berk return to the big screen for another adventure. Five years after uniting his Viking kindred with their reptilian enemy, Hiccup (Jay Baruchel), now a young man, is eager to evade the responsibilities of assuming the title of chieftain from his now doting father Stoic the Vast (Gerard Butler), preferring to explore an expanding world on the back of his jet-black familiar Toothless.
When he and his lady friend Astrid (America Ferrera) encounter a gang of pirates who capture and sell dragons, Hiccup becomes aware of a villain named Drago (Djimon Hounsou), who is amassing an army of enslaved dragons. Rallying his friends to confront this new threat, Hiccup finds an unlikely ally in his long-lost mother, who was thought dead but is found to be a dragon-rider herself. Part Jane Goodall, part Shaka Zulu, Valka is the source of much of How to Train Your Dragon 2’s problems. Awkwardly forced into the story and failing utterly to excuse her absence (living on an island that in movie time appears to be barely an hour’s flight from Berk), Valka is a frustrating character whose story is ripped straight from The Simpsons episode ‘Mother Simpson’. Star-power helps naught, as Cate Blanchett voices the character with a garbled accent that sounds like Veronica Guerin with a mouth full of Australian haggis.
The rest of the voicecast fare better. Jay Baruchel remains an iconic performer as Hiccup, capturing a wide range of emotions with his stalling nearly-a-man voice. Butler excels also, and continues to find brilliant support in Craig Fergusson as Stoic’s no2 Gobber. Ferrera is sidelined, disappointing after such a strong role in the first film, but the comic love triangle between Vikings Snotlout, Fishlegs and Ruffnut (Jonah Hill, Christopher Mintz-Plasse and Kristen Wiig respectively) makes up for this. Game of Thrones’ Kit Harrington joins the cast as a macho pirate, but no one ever claimed the most exciting thing about Jon Snow’s storylines was his voice. Hounsou does his best with an underwritten, underdeveloped and frankly racist villain – the only black man in all of Scandinavia is also the only tyrant.
Dealing with this new threat, the script shows itself to be politically schizophrenic, commending Hiccup’s quest for peace while ultimately championing military dominance. The film concludes with a call to arms that sounds straight out of a post-9/11 docudrama directed by Leni Riefenstahl.
The action, however, is even more thrilling than the first time around, with some brilliantly planned-out aerial stunts. The dragon and human designs are far richer in texture, with the polar leviathan the Bewilderbeast a mighty achievement of the creators’ imaginations. Much of the comedy lands, while Toothless, a veritable reptilian catdog of personality and energy, remains just about the cutest animated character since Fievel.
The greatest highlight of Dragon 1, John Powell’s heart-quickening, triumphant score, is repeated here, although the addition of a dance-pop version of the main theme with echoes of Owl City is frankly sinful; like a punk rock rendition of the Schindler’s List soundtrack. Indeed the film is trying to appeal to a cool audience a little too hard – Hiccup’s latest inventions include a winged glide-suit and a fiery lightsaber, while Toothless develops new powers borrowed heavily from another popular movie lizard. The first film achieved coolness without a pinch of effort.
How to Train Your Dragon 2 shares a lot in common with last year’s disappointing Despicable Me 2; both are sequels to surprisingly affecting movies, both feature slapdash-scripted and ultimately racist villains, and both reinforce conservative family norms that their predecessors had soared high without.
Gorgeous to behold but thematically frustrating and confused, How to Train Your Dragon 2 is a worthy entertainment, but little more. The first film was a borderline masterpiece, this one is only just good.
(originally published at http://www.scannain.com)